Thursday, April 25, 2024
The Maid by Nita Prose
Tuesday, April 23, 2024
The Heiress by Rachel Hawkins
But in the aftermath of her death, her adopted son, Camden, wants little to do with the house or the money—and even less to do with the surviving McTavishes. Instead, he rejects his inheritance, settling into a normal life as an English teacher in Colorado and marrying Jules, a woman just as eager to escape her own messy past.
Ten years later, his uncle’s death pulls Cam and Jules back into the family fold at Ashby House. Its views are just as stunning as ever, its rooms just as elegant, but the legacy of Ruby is inescapable.
And as Ashby House tightens its grip on Jules and Camden, questions about the infamous heiress come to light. Was there any truth to the persistent rumors following her disappearance as a girl? What really happened to those four husbands, who all died under mysterious circumstances? And why did she adopt Cam in the first place? Soon, Jules and Cam realize that an inheritance can entail far more than what’s written in a will––and that the bonds of family stretch far beyond the grave.
- Hawkins litters the book with reveals (which is, of course, why it's impossible to write a synopsis without giving something away.
- It's told from three perspectives: Jules, her husband Camden, and letters from his deceased mother. That made me race through to get back to Jules' story, or Ruby's letters, or Camden's story.
- Everyone of the three has secrets to reveal and Hawkins keeps them coming right up until the end of the book.
- Some readers will find it predictable (although I certainly didn't)
- Some of the characters are stereotypes
- The ending fell a little flat for me.
Sunday, April 21, 2024
Life: It Goes On - April 21
A little project piece |
Enjoyed: Drove into Lincoln yesterday to pick up some auction winnings and grabbed lunch with my sister-in-law and later met some friends from California at my dad's.
Tuesday, April 16, 2024
The Guest by Emma Cline
Summer is coming to a close on the East End of Long Island, and Alex is no longer welcome.
A misstep at a dinner party, and the older man she's been staying with dismisses her with a ride to the train station and a ticket back to the city.
With few resources and a waterlogged phone, but gifted with an ability to navigate the desires of others, Alex stays on Long Island and drifts like a ghost through the hedged lanes, gated driveways, and sun-blasted dunes of a rarefied world that is, at first, closed to her. Propelled by desperation and a mutable sense of morality, she spends the week leading up to Labor Day moving from one place to the next, a cipher leaving destruction in her wake.
Taut, propulsive, and impossible to look away from, Emma Cline's The Guest is a spellbinding literary achievement.
Monday, April 15, 2024
Life: It Goes On - April 15
Thursday, April 11, 2024
Let Us Descend by Jesmyn Ward
Tuesday, April 9, 2024
Life In Five Senses: How Exploring the Senses Got Me Out of My Head and Into the World by Gretchen Rubin
Saturday, April 6, 2024
Life: It Goes On - April 7
Last Week I:
Watched: More college basketball, including the men's 3-Point Contest, which was won by Nebraska's Keisei Tominaga. We just love him here!
Thursday, April 4, 2024
The Buddha In The Attic by Julie Otsuka
"On the boat we were mostly virgins. We had long black hair and flat wide feet and we were not very tall. Some of us had eaten nothing but rice gruel as young girls and had slightly bowed legs, and some o us were only fourteen years old and were still young girls ourselves. Some of us came from the city, and wore stylish city clothes, but many more of us came from the country and on the oat we wore the same old kimonos we'd been wearing for years...Some of us came from the mountains, and had never before seen the sea, except for in pictures, and some of us were the daughters o fishermen who had been around the sea all our lives."
"We wonder if it wasn't somehow all our fault. Perhaps we should have petitioned the Mayer. The governor. The President himself. Please let them stay. Or simply knocked on their doors and offered to help. If only, we say to ourselves, we'd known."
"People begin to demand answers. Did the Japanese go to the reception centers voluntarily, or under duress? What is their ultimate destination? Why were we not informed of their departure in advance? Who, if anyone, will intervene on their behalf? Are they innocent? Are they guilty? Are they even really gone? Because isn't it odd that no one we know actually saw them leave."
Tuesday, April 2, 2024
Signal Fires by Dani Shapiro
Sunday, March 31, 2024
Life: It Goes On - March 31
Happy Easter to all who celebrate! We are having a quiet day at Chez Shep, having done what passed for our Easter celebration last weekend. Mini-him is off celebrating with Miss C's family, Miss H is working, and, of course, Mini-me and Ms S are far too far away to join us. It's just as well; there are so many things around here that need to be done, not the least of which is to finish up the taxes. Makes this grey, chilly day feel even less appealing!
Last Week I:
Tuesday, March 26, 2024
Saturday Night at the Lakeside Supper Club by J. Ryan Stradal
- A multi-generational story.
- Well written female characters, always female leads which is impressive from a male writer. From Betty to Florence to Mariel to Julia, each of these women is fully developed, flaws and all.
- A terrific sense of setting. Stradal knows the area, its people and its food.
- Which brings me to food. Betty marries the owner of the Lakeside Supper Club, Mariel marries the son of a man who started a chain that is putting supper clubs out of business. The tradition of the foods at the supper clubs contrasts with the food of the chain; the traditional foods of the supper clubs also plays out against healthier, more current ways of eating.
Sunday, March 24, 2024
Life: It Goes On - March 24
It's been another busy week. My dad was not released from the hospital until Wednesday and then he moved into a different skilled rehabilitation facility. It's a much nicer facility, lovely room, great staff...and he thinks he might be able to be happy living there for the rest of his days. So we may be emptying his new apartment back out again and settling into what will, hopefully, be his forever home. I just want him to get stable, be safe and as happy as he can be, and be well cared for and then I can relax a little.
Tuesday, March 19, 2024
Pete and Alice In Maine by Caitlyn Shetterly
- The kids. For me, Iris is just too precocious and Sophie is just too angry and allowed to be too rude and mean.
- Alice...sometimes. She seems terribly unhappy in her live even before the betrayal and the pandemic, but unwilling to do anything to make things better for herself.
- I've, thankfully, never been in Alice's position so I can't say how I would react. Still, I found myself irritated with her back and forth in regards to her feelings about Pete. On the other hand, again, I've never been in that position so it might be exactly the way I'd react.
- Although the entire book is built around needing to leave NYC because of the pandemic, it never seems to touch the family in any way and Alice never seems to be particularly concerned about the ways it's affecting others.
- I remember hearing about how many people with second homes left the cities in the early days of the pandemic, but this is the first book I've read that tackles how that might have worked for those people. I appreciated that Alice recognized their privilege.
- It took me back to those days when we lived in terrible fear of dying (well, at least a good chunk of the population did). It was easy to believe that the reactions of the local in the book mirrored what a lot of locals felt when the city people began moving into their communities, possibly bringing a deadly disease they might otherwise have avoided, into their neighborhood.
- Pete and Alice. They felt well developed, with both a lot to like about them but also plenty of flaws.
- I liked the writing, the intimacy of the story. I felt as if I really got to know these characters and got into their heads.
- The ending. I knew how I wanted the story to end (given what happens in the book), but Shetterly throws a curveball right at the end that entirely changes what will happen next. I do, almost always, like a book that ends without a clear ending. Life happens in segments that don't always come to neat and tidy endings before the next segment begins. That's what happens here and I like it a lot.
Sunday, March 17, 2024
Life: It Goes On - March 17
It's been hard to believe that we were still in March, as nice as it's been lately; but for the next week, we're going to be reminded of that, with snow in the forecast again. Still, a girl can dream and I'll be heading off to buy new cushions for the patio furniture this week and I've created a shopping list for annuals and perennials.
Spent a lot of the week working to get my dad into his new home on Wednesday. Unfortunately, Thursday night he was admitted to the hospital, again. We're hoping that this admission is actually solving some of the problems that have been going on for a while now.
Last Week I:
Thursday, March 14, 2024
The Last Romantics by Tara Conklin
Two decades later, the Skinners find themselves again confronted with a family crisis that tests the strength of these bonds and forces them to question the life choices they've made and what, exactly, they will do for love.
Narrated nearly a century later by the youngest sibling, the renowned poet Fiona Skinner, The Last Romantics spans a lifetime. It's a story of sex and affection, sacrifice and selfishness, deeply held principles and dashed expectations, a lost engagement ring, a squandered baseball scholarship, unsupervised summers at the neighborhood pond, and an iconic book of love poems. But most of all, it is the story of Renee, Caroline, Joe, and Fiona: the ways they support each other, the ways they betray each other, and the ways they knit back together bonds they have fractured.
- Fiona works, for most of the book, for a climate watch group, which is all very well and good. Except that the book alternates between 100+-year-old Fiona telling a group of fans about her family history while outside it's clear that climate change has, indeed made a powerful impact on the Earth. Except that's not really touched on all that much and it doesn't really impact that story in any way. It could have been left out or incorporated more.
- So the entire reason for Fiona to tell the audience her family's story is to explain to them who the "Luna" that appears in her most famous poem was to her family. We finally get to that point late in the book and then I felt like we got bogged down in that piece of the story. I wanted the story to be about the siblings and not veer off into Luna's story; and then I found the girls' obsession with finding Luna very strange and unlikely.
- I do love me a good story about siblings - about their relationships with each other and about who each of them are in their own lives.
- These are particularly strong characters. While Fiona is clearly the main character of the book, each of her siblings are well-developed and any one of them stands on their own. We can clearly see how the young child they were grew into the adults they became and how The Pause impacted that growth.
- There are a lot of themes explored in the book and they never feel forced.
- I very much liked the way Conklin tied up the book. You all know I enjoy a book that doesn't necessarily tie everything neatly with a bow at the end.
Tuesday, March 12, 2024
Mansfield Park by Jane Austen
Sunday, March 10, 2024
Life: It Goes On - March 10
Last Week I:
Thursday, March 7, 2024
Saving Time: Discovering a Life Beyond Productivity Culture by Jenny Odell
In order to answer this seemingly simple question, Odell took a deep dive into the fundamental structure of our society and found that the clock we live by was built for profit, not people. This is why our lives, even in leisure, have come to seem like a series of moments to be bought, sold, and processed ever more efficiently. Odell shows us how our painful relationship to time is inextricably connected not only to persisting social inequities but to the climate crisis, existential dread, and a lethal fatalism.
This dazzling, subversive, and deeply hopeful book offers us different ways to experience time—inspired by pre-industrial cultures, ecological cues, and geological timescales—that can bring within reach a more humane, responsive way of living. As planet-bound animals, we live inside shortening and lengthening days alongside gardens growing, birds migrating, and cliffs eroding; the stretchy quality of waiting and desire; the way the present may suddenly feel marbled with childhood memory; the slow but sure procession of a pregnancy; the time it takes to heal from injuries. Odell urges us to become stewards of these different rhythms of life in which time is not reducible to standardized units and instead forms the very medium of possibility.
Saving Time tugs at the seams of reality as we know it—the way we experience time itself—and rearranges it, imagining a world not centered on work, the office clock, or the profit motive. If we can “save” time by imagining a life, identity, and source of meaning outside these things, time might also save us.