The Pearl by John Steinbeck

The Pearl by John Steinbeck
97 pages
Originally published 1947

Kino is a pearl fisherman along the Mexican gulf.  He, his wife, Juana and baby son, Coyotito, live in a small brushhouse on the edges of their small community alongside the other native pearl-fishers.  They are poor but seem contented with their lives together.  Then two things happen that change their lives forever.

First Coyotito is bitten by a scorpion.  Juana immediately jumps into action, sucking as much of the poison out of the baby as she can.  But  Kino and Juana battle between their instinct to do what their ancestors have always done and their fear that they should call on the village doctor.

"Kino hesitated a moment.  This doctor was not of his people.  This doctor was of a race which for nearly four hundred years had beaten and starved and robbed and despised Kino's race, and frightened it too, so that the indigene came humbly to the door.  And as always when he came near to one of this race, Kino felt weak and afraid and angry at the same time.  Rage and terror went together."

When Kino makes the decision to take Coyotito to the doctor, he is turned away at the door for lack of money, fueling Kino's rage and feeding his feelings of inferiority.

Later that same day, it appears that their lives will take a turn for the better when Kino finds a magnificent pearl that the villagers are soon proclaiming to be The Pearl Of The World.  Kino begins seeing in the pearl all his family will soon have--new clothes, a new harpoon, an education for Coyotito, and a church wedding.  But Kino knows that "the gods do not love men's plans, and the gods do not love success unless it comes by accident" and Kino has now made plans, plans easily to be attacked.  He begins to worry that others will begin to cause problems for his family, with good reason.  Soon the priest is at the door to "bless" them but also to stake his claim for the church; the doctor shows up suddenly eager to treat the baby; and dark men beginning appearing in the house, trying to steal the pearl.  Was the pearl a blessing...or a curse?

There is nothing subtle about this novella.  Steinbeck's love of the common man and his belief that power will always go to the powerful are evident throughout the book.  It almost appears as if Steinbeck is saying that even the simple wants of Kino are too much for a poor person to hope for, that he is greedy for wanting a new suit of clothes for his son.  As the book progresses, Kino becomes more cruel as he becomes more obsessed with protecting the pearl.  Is he wrong to want a better life?  But it is the greed of all men and the power of some that propel Kino along a path of self-destruction.

I loved the use of song in this book.  The "Song of the Family" represents the love and peace Kino and Juana feel at the beginning of the book.  More and more throughout the book, however, Kino is hearing the "song of evil."  Unfortunately his response to this song continue to lead him to decisions that cause more and more trouble for his family.  Steinbeck challenges the reader--how much would you be willing to risk to give your family a better life?

"In this Gulf of uncertain light there are more illusions than realities."

John Steinbeck drew on both the biblical tale of "the pearl of great price" and an old Mexican tale when crafting this parable, as well as the lessons his own life had taught him.  He wrote The Pearl it was on the heels of his huge success with The Grapes of Wrath.  That success had taught Steinbeck that becoming successful, gaining possessions, would not necessarily make a person's life easier or better.  His own success had certainly given him the financial means to make for a comfortable life but it also brought with it persecution and FBI attention.

The Lacuna by Barbara Kingsolver

The Lacuna by Barbara Kingsolver
507 pages
Published November 2009 by HarperCollins Publishers
Source: TLC Book Tours and the publisher

 Young Harrison William Shepherd is living on Isla Pixol in Mexico when we are first introduced to him in Kingsolver's latest book, that follows Shepherd's diaries from 1929 to 1951.  His mother, a selfish woman who never seems to think of the effects on her son, encourages Harrison to begin his first journal when they are living on Isla Pixol and listening to the howler monkeys in the trees at night.

"Their food might be us, mother and son agreed, when they huddled together inside the spiderweb of bedspread, listening to a rising tide of toothsome roars.  You had better write all this in your notebook, she said, the story of what happened to us in Mexico.  So when nothing is left of us but bones, someone will know where we went.  She said to start this way: In the beginning were the aullaros, crying for our blood."

 Harrison's mother had fled the U.S., leaving his father behind in order to begin an affair with a Mexican attache. But she hates it there and Harrison feels invisible to all the people around him with the exception of the home's cook, from whom he learns valuable life lessons.  It's also on Isla Pixol that Harrison discovers the lacuna:

"Not a cave exactly but an opening, like a mouth, that swallows things."

The image of the lacuna recurs throughout the book as Harrison begins his life journey traveling back and forth between the U.S. and Mexico, never really at home in either.  Along the way, Harrison finds himself immersed in the fiasco that was the Hoover administrations handling of the veterans living in a tent city in the middle of Washington D.C., working for Diego Rivera and involved as well with Frida Kahlo and Leo Trotsky, and esconced in Asheville, North Carolina as a writer of sweeping Mexican epics.

Shortly after I had finished Kingsolver's "The Poisonwood Bible,"  Trish wrote me about this tour.  I had my choice of a number of her previous titles in addition to this one.  As much as I loved "The Poisonwood Bible,"  I was willing to read any of Kingsolver's books but was thrilled to have the chance to read this one.  I went into it expecting to love it every bit as much.

Which, as it turns out, I did.  Just in a different way.  Where as "The Poisonwood Bible" pulled me in immediately with it's beautiful writing and amazing story but let me down some toward the end of the book, "The Lacuna" was a slower start for me but once I fell into it, I never felt a let up.  Kingsolver's writing remains beautiful as ever and her knack for dispensing history lessons while telling a story is unparalleled.  There is no doubt that Kingsolver has an opinion on the events that she's writing about but this book felt less preachy to me.   The book is written as though it were the diaries of a real person, something I wasn't sure about when I started the book, but it worked for me.


I'm not prone to read a lot of books by the same author, which the except of Jane Austen, Mark Twain and Charles Dickens.  There are just too many great authors out there whose work I want to sample.  But having now read two of Kingsolver's books, I can't imagine that I will not, at some point, feel the need to read more of her books.  They are just that good.

Thanks so much to TLC Book Tours for including me in this tour!